Follow Hiram Butler Gallery on Artsy
Kate Shepherd<p>
Bayside Fuel, Glass Plane Up Front, 2002<p>
Enamel on wood panels, diptych<p>
35 x 43 1/2 inches overall Terry Winters<p>
Yellow Stone, 2010<p>
Lithograph<p>
39 1/2 x 53 inches<p>
44 x 56 inches, framed<p>
Ed. 27 Matt Kleberg<p>
Eviction Benediction (Bigscreen), 2018<p>
Oil stick on canvas<p>
100 x 78 inches Daniel Buren<p>
1 + 2 = 3 (TRIPTYCH), 1998<p>
Set of three woodcuts<p>
19 5/8 x 15 3/4 inches <p>
ed. 60 Jennifer Bartlett<p>
The Elements: Earth, 1992<p>
Etching, softground, and aquatint<p>
33 1/4 x 33 inches<p>
Ed. 80
Jennifer Bartlett<p>
The Elements: Fire, 1992<p>
Etching, softground, and aquatint<p>
33 1/4 x 33 inches<p>
Ed. 80 Jennifer Bartlett<p>
The Elements: Water, 1992<p>
Etching, softground, and aquatint<p>
33 1/4 x 33 inches<p>
Ed. 80 Matt Magee<p>
Rune, 2011<p>
Oil on panel<p>
48 x 24 inches David Hutchinson<p>
The Blurred Discreteness of Colors, 2017<p>
Oil on linen<p>
60 x 65 inches Robert Rauschenberg<p>
The Razorback Bunch (Etching III), 1981<p>
Intaglio in 3 colors on handmade Twinrocker paper<p>
44 x 31 inches<p>
Martha Tuttle<p>
Amble, 2019<p>
Wool, linen, and pigment<p>
34 5/8 x 28 1/8 inches Robert Rauschenberg<p>
The Razorback Bunch (Etching II), 1980<p>
Intaglio<p>
48 x 32 inches<p>
Ed. 24 Martha Tuttle<p>
Water / Skin, 2017<p>
Relief and digital printing with natural pigments<p>
36 1/2 x 25 inches<p>
Ed. 16 Robert Rauschenberg<p>
The Razorback Bunch (Etching I), 1980<p>
Intaglio in 4 colors on handmade Twinrocker paper<p>
30 Martha Tuttle<p>
Omphalus 7, 2019<p>
Wool, silk, linen, and pigment<p>
13 3/4 x 11 7/8 inches


The Blurred Discreteness of Colors

Jennifer Bartlett
Daniel Buren
David Hutchinson
Matt Kleberg
Matt Magee
Robert Rauschenberg
Kate Shepherd
Martha Tuttle
Terry Winters